Oil On Canvas, Real Flavor of Old Masters

All Eric Forbes-Robertson 's Paintings
The Painting Names Are Sorted From A to Z


ID Image  Painting (From A to Z)       Details 
80306  
Alexandra Nikolaievna, Eric Forbes-Robertson
 
 Alexandra Nikolaievna   19th century cyf
28477  
Breton Children Pont Aven (La Bonne Soupe), Eric Forbes-Robertson
 
 Breton Children Pont Aven (La Bonne Soupe)   1893 Oil on canvas 71 x 91.3 cm (28 x 36 in) Leicester Museum and Art Gallery (mk63)
78415  
Children with Parrot, Eric Forbes-Robertson
 
 Children with Parrot   1850(1850) Medium Oil cyf

Eric Forbes-Robertson
(1865-1935). a figure and landscape painter a figure and landscape painter.was a Scottish painter of landscapes, flowers, and foliage, with children. He was a cousin of James Hornell. He was born in Australia, of Scottish parents, and he was brought up and lived practically all his life in Scotland, at Kirkcudbright. He studied for three years at the art school at Edinburgh, and for two years at Antwerp under Professor Verlat. Returning from Antwerp in 1885, he met George Henry and associated himself with the Glasgow School. Hornel and Henry collaborated upon "The Druids Bringing In The Mistletoe" (1890), a procession of priests bringing in the sacred mistletoe, gorgeous with polychrome and gold. The two worked side by side to achieve decorative splendor of color, Hornel boldly and freely employing texture effects produced by loading and scraping, roughening, smoothing, and staining. In 1893-94 the two artists spent a year and a half in Japan, where Hornel learned much about decorative design and spacing. Towards the close of the nineties his colors, while preserving their glow and richness, became more refined and more atmospheric, and his drawing more naturalistic, combining sensuous appeal with emotional and poetic significance. In 1901 he declined election to the Royal Scottish Academy. In 1901 he acquired Broughton House, a townhouse and garden in Kirkcudbright, which was his main residence for the rest of his life.



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